Act 3 — Study the masters · Week 21 of 52
Jerry Seinfeld
How deep can one small premise actually go?
Get four minutes out of something that lasts ten seconds in real life.
The five moves
Same rhythm, every week.
1 — Study
Any special, plus Comedian for the process.
Watch on purpose. Specific comedians, specific reason.
2 — Deconstruct
Take one premise and count how many angles he finds on it.
Isolate one mechanism. Name it before you use it.
3 — Write
One tiny premise, developed for 4 minutes, no topic change.
10–25 premises minimum. Quantity buys quality.
4 — Perform
Run it. Resist the urge to bail into a different bit.
Somewhere live. The classroom is useful; the audience is the laboratory.
5 — Review
Where did you run out of angles? That's your depth ceiling — raise it.
Watch the tape. Log what the room did, not what you felt.
The Comedy Genome
Tag what made you laugh.
Tag every joke you studied this week. After a few months the pattern stops being an opinion and becomes your comedy DNA.
Your twin asks
Eleven questions, every week.
- What made you laugh this week?
- What did the audience laugh at?
- Where did you lose them?
- Which jokes feel most like you?
- What are you afraid to say?
- What's the funniest version of this?
- What would Pryor do with this?
- What would Carlin attack?
- What would Hedberg remove?
- What would Rock repeat?
- What would Bamford make uncomfortably specific?
