Unit 6 · Chapter 33 · 9 min
Your Comedy DNA, your gaps, your curriculum
Stop practising what you're already good at. Find the two axes you avoid and live there for a month.
Everyone drifts toward their strengths. If you're good at act-outs, you write act-outs, and after two years you have a tremendously physical act with no jokes in it. Your strengths are a trap disguised as a style.
Locked
“Your Comedy DNA, your gaps, your curriculum” is inside the course.
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